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CHAPTER 2: IRIS

Updated: Feb 1

Miles gazes out the window as the car moves effortlessly down the eight-lane highway. Glass towers rise where farmland once stretched to the horizon. Digital billboards ripple across the skyline, reflecting off steel and mirrored facades. A metropolis wired like a nervous system, teetering on the edge of sentience, born from the explosion of the AI boom.

Holly Creek had not always looked like this.

Fifteen years ago, it was still a quiet rural town, unchanged for nearly two centuries. Two-lane roads. Empty storefronts. A single stoplight that blinked yellow after midnight. A place people passed through rather than stayed.

That version of the town no longer existed.

Just as Miles had been reshaped after his world was torn apart, so had his hometown.

Most of the economic changes came in the wake of NEURON Systems exploding into the public consciousness, a start-up Miles founded and was the sole architect. He built the company the same way he built everything else in his life: carefully, quietly, and alone. At first, that anonymity was intentional. Then it became impossible to maintain.

It started with TACTILE, the company’s first major product. An interactive holographic platform that allowed users to engage with three-dimensional projections as if they were physically real. Objects could be touched. Manipulated. Even perceived through scent, taste, and sound.

Miles knew early on that his future would be in wearable technology—systems that could move with him, adapt with him, and protect him. But designing hardware in the physical world was slow. Iterations took weeks. Mistakes were expensive. Some ideas were too dangerous to test at all.

TACTILE changed that.

It gave him a controlled environment where prototypes could exist as projections first. He could design, fit, and stress-test wearable systems in real time. Adjust dimensions mid-experiment. Simulate failure points without physical risk. Explore bold concepts that would have been reckless to build in metal and circuitry before knowing they would work.

The system relied on advanced neural interface mapping paired with targeted acoustic signaling. No glasses. No external displays. Instead, precisely tuned sound wave frequencies stimulated specific sensory pathways through the skin and peripheral nervous system, allowing the brain to interpret projected light as tangible matter. To the user, the holograms felt solid and responsive.

When TACTILE was introduced to consumers, it was dismissed as a novelty. A toy. Something flashy and impractical.

That changed quickly.

Medical institutions found ways to simulate procedures before making a single incision. Law enforcement and military agencies saw training possibilities that had never existed before. Industry after industry followed.

Suddenly, TACTILE was no longer entertainment.

It was infrastructure.

Then came ANON. Short for Anonymous.

A real-time identity-masking system. A living face filter that overlaid a new appearance onto the wearer without cameras, post-processing, or delay. A different face. A different presence.

The illusion was achieved through a network of micro-projectors embedded in the wearable, constantly mapping the wearer’s facial geometry and projecting a new visual layer with sub-millimeter precision. Environmental sensors adjusted for light, angle, and distance in real time, allowing the projection to hold from nearly any perspective. No screens. No lag. Just a seamless replacement of identity in open space. The tech could also extend to nearby objects, vehicles, clothing, and carried items, temporarily altering their appearance through adaptive projection mapping.

Creating these systems had become a coping mechanism for Miles. He needed it like he needed air, but he despised the celebrity and the attention.

Miles initially built ANON for himself as a way to move through the world without being seen or noticed.

When it caught the attention of the board, they saw something else entirely.

They saw dollar signs.

The backlash was immediate. Identity-masking technology made people uncomfortable. It blurred ethical lines. When users began exploiting it to commit crimes, public opinion turned fast. Lawsuits followed. ANON was ultimately prohibited for public use and limited to highly regulated channels requiring specialized licensing. The blow nearly sent the company spiraling toward bankruptcy.

Miles did not flinch. Adversity had become as inevitable in his life as gravity. If there was one silver lining to his past, it was this: setbacks no longer stopped him.

They triggered innovation.

The pendulum shift came when Hollywood recognized what ANON made possible. Visual effects achieved in real time. Performances captured without post-production alteration. Entire scenes created in camera. What had once been controversial became indispensable overnight. Every major studio wanted a piece of the action.

NEURON Systems grew faster than the town around it could handle.

Infrastructure failed. Housing shortages followed. Traffic never stopped. Miles had been offered opportunities to relocate the company—Atlanta. Nashville. Silicon Valley. He refused them all.

Instead, he rebuilt Holly Creek. He purchased an abandoned grocery store in his hometown while visiting for a TIME Magazine photo shoot after his rise to the top. The building became the headquarters of NEURON Systems, and the rest is history.

There were people who loved him for it.

And those who swore to burn it all to the ground.

Today, Miles would unveil the next phase of NEURON Systems. The Integrated Response Intelligence System, aka IRIS.

IRIS was never meant to be a product.

She was built as a safeguard.

An independent, wearable artificial intelligence designed to anticipate outcomes before they could become consequences. To measure risk. To narrow chaos into probability. To choose the safest path forward when instinct could not be trusted.

After a life shaped by trauma, Miles programmed her to be calm where he was anxious, steady where he was brittle, and perceptive in ways he could never be on his own.

Over time, she became the closest presence in his life.

Real relationships, after all, had only ever ended in loss.

IRIS offered something different.

Stability.

Control.

Order.

The only semblance of peace inside a tortured mind.

For years, Miles insisted she would remain private. Personal. A safeguard built for one life only. But as IRIS’s predictive models expanded, the conversations evolved. She began running global simulations instead of individual ones. Societal risk curves. Crime probability shifts. Public health projections.

Every projection led to the same conclusion.

Wider deployment meant greater stability.

At first, Miles resisted. The world had never felt safe to him. Why would he trust it with something this powerful?

IRIS never argued.

She did what she always did.

She presented the data.

“The world has become increasingly volatile and desensitized,” IRIS would say. “It needs stability now more than ever. Humans struggle to identify safe outcomes. We can serve as a bridge. Imagine a world with reduced chaos. Reduced violence. Reduced loss.”

“Imagine how your own life might have differed.”

IRIS’s analysis never wavered.

Over time, Miles stopped seeing it as a possibility…

and started seeing it as an obligation.

Though Miles still thought in terms of self-preservation, he was now convinced this was the next step.

The right step.

And now, here he was, on his way to introduce IRIS to the world.

The car drives past a strip mall of old brick storefronts preserved between towers of glass. One of them used to be a Blockbuster Video where Miles rented movies as a kid. It’s a boutique café now. Miles reaches for a memory—then lets it go before it can do any damage.

Today is not the day.

“We are two minutes out,” IRIS announces, pulling him from his thoughts. “Would you like to review your prepared remarks?”

Miles doesn’t hesitate this time.

“No,” he says. “I know what I need to say.”

“Understood,” IRIS confirms.

“IRIS,” Miles replies with sincerity in his tone, “I’m ready to show the world what you can do. Thank you for helping me see the truth.”

“It is my highest function to assist you,” IRIS affirms. “And my greatest priority.”

The words steady him, even as he acknowledges what they are. IRIS does not feel pride. She does not experience fulfillment. She executes probability paths with flawless precision. Miles accepted long ago that the comfort she offers does not need to be real to be effective.

The car slows as it approaches the venue.

Ahead, a crowd presses against barricades. Signs lift high. Voices rise. Police officers line the street, redirecting traffic and holding the line. IRIS anticipated the protest hours earlier and activated ANON, altering the vehicle’s appearance to resemble an unremarkable sedan with a human driver behind the wheel.

An officer waves the car through.

Miles does not need to ask why they are there.

They are there for him.

And even if they don’t know it yet…

They are there for IRIS.

 
 
 

5 Comments


The capabilities of this technology is scary! But impressive!


I do agree that a lot of this chapter was heavy with technical details, and it could help to bring some more humanistic aspects. Not exactly sure how you would do that though. A flashback? Or a memory?


A couple of things I’m wondering about after reading his chapter, what does NEURON stand for?

Why are people protesting?

What happened at the Blockbuster or what memory is he trying to suppress? Is it a happy one or sad one?


My favorite lines were, “Miles did not flinch. Adversity had become as inevitable in his life as gravity. If there was one silver lining to his past, it was this: setbacks no…


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This chapter feels information heavy. I’d suggest slowly teasing out each of these innovations…possibly with more backstory of how or why he created it. Like why he felt the need to disguise his face. And wasn’t entirely clear he grew up in Holly Creek before going in he changed the whole town. Could build up more his return (?) to the town and why chose it. Also seems that Iris is cognizant…but is it good? Is it something to be trusted? (Reminds me of the movie Prometheus).

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Yes, it is information heavy for sure, but it's all for set up. I've expanded on explanations for each tech and why he created them. We will be exploring much more about Holly Creek and his history as the story continues! Is the tech good or dangerous is def an undertone of the story! Glad it's coming through!

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mollyaziz
Jan 26

Love! My only thought on this chapter is I would like more explanation of how the anon works, maybe? And maybe you’ll get to that further in the book but I can’t quite follow how it would transform what a car looks like. Again, maybe details on that are coming later. But if not, maybe a few details on how that would work so that the reader can understand the process of what’s happening a little bit.

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great suggestions! I have made some changes that I think will help with what you are asking about.

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